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This is a robust collection of beautiful and useful colors, ready to capture any subject – especially landscapes, from the city to the country and everywhere in between. The set includes expanded (cool, warm and special) primaries, gorgeous secondary greens, core earth colors, plus a neutral gray that allow endless color mixing combinations. All 24 hand-poured half pans are removable and refillable – and it comes with a BONUS box with 24 more empty half-pans.

Buff Titanium
Hansa Yellow Light
Quinacridone Gold
Hansa Yellow Deep
Pyrrol Scarlet
Permanent Alizarin Crimson
Quinacridone Rose
Ultramarine Blue
Cerulean Blue, Chromium
Phthalo Blue (Green Shade)
Cobalt Turquoise
Phthalo Green (Blue Shade)
Sap Green
Perylene Green
Undersea Green
Raw Sienna Light
Yellow Ochre
Goethite (Brown Ochre)
Indian Red
Quinacridone Burnt Orange
Burnt Sienna
Burnt Umber
Raw Umber
Jane’s Grey

The lid has four large paint-mixing wells and the fold-out section has eight smaller wells. The center section is removable and beneath it are seven more mixing wells. The inside is painted with a white enamel for easy clean-up with a soft cloth or paper towel. There is space between the 2 rows of half pans to keep your favorite small brush. The finger ring on the underside keeps the box steady in the palm of your hand while painting. A waterproof acetate color map is included inside.

This set of 12 juicy watercolors is inspiring for artists of all genres, all skill levels. These colors are gorgeous on their own, mixed with each other or with other colors on your palette. These pigments have become favorites for many artists because they add a creative touch of personality to your artwork.

Each of these half pans is hand-poured. The set comes with a sturdy metal logo box and 12 additional empty pans for mixing or adding colors from your selection of tubes for easier portability.

Cadmium Yellow Medium Hue
Quinacridone Rose
Wisteria
Rose of Ultramarine
Moonglow
Shadow Violet
Phthalo Blue (Green Shade)
Lavender
Cascade Green
Serpentine Genuine
Green Apatite Genuine
Quinacridone Gold

The lid has four large paint-mixing wells and the fold-out section has eight smaller wells. The center section is removable and beneath it are seven more mixing wells. The inside is painted with a white enamel for easy clean-up with a soft cloth or paper towel. There is space between the 2 rows of half pans to keep your favorite small brush. The finger ring on the underside keeps the box steady in the palm of your hand while painting. A waterproof acetate color map is included inside.

Our half pans are always hand- poured, following in the DANIEL SMITH tradition of manufacturing the finest handcrafted paints and products. Hand pouring is highly labor intensive, but it offers the purest form of professional, artist-quality watercolors that rewet quickly and easily with a damp brush. Enjoy the finest pigments in portable half-pan sets that are perfect for travel, plein air work, urban sketching & creating unique color combinations.

The DANIEL SMITH Essentials Watercolor Set is just what you need to begin your watercolor journey! Six transparent colors in 5ml tubes were carefully selected to give you a wide range of colors and values. Mix them to create an endless array of colors like you see on these color wheels – warm tones on the left, cool tones on the right.
Included in this set:

Three cool primary colors:

Hansa Yellow Light
Quinacridone Rose
Phthalo Blue Green Shade

Three warm primary colors:

New Gamboge
Pyrrol Scarlet
French Ultramarine

Beginners and professional artists alike will love this set – it’s portable for taking on a plein air excursion, plus it makes a great gift for the artists in your life.

With the six colors in the set, you can mix a huge range of hues, such as the secondary oranges, greens and violets. Every color you need to paint landscapes, still life, figurative…whatever you like! Mixing colors is one of the foundations of painting, and we’ve made it easy for you with the DANIEL SMITH Watercolor Essentials Set.

PrimaTek Watercolors mix beautifully with other paints on your palette and bring excitement to the surface of a painting. They are heavier in body and settle into the valleys of your paper leaving behind wonderful granulation and texture. The pigments were carefully selected to give you a wide range of colors and textures you’ll find nowhere else. When mixed with other colors the possibilities are endless.
The name of each color comes from the actual mineral that it’s made from – for example, Amethyst Genuine is finely processed from crushed Amethyst. PrimaTek colors flow beautifully, mix well with other pigments, and most yield magical granulating effects. This set is the perfect size to take along on plein air painting excursions and it makes a great gift for the artists in your life. Click here to read more about PrimaTek – Where Nature Meets Art.
Included in this set of six 5ml tubes:

Rhodonite Genuine
Jadeite Genuine
Amethyst Genuine
Mayan Blue Genuine
Hematite Genuine
Piemontite Genuine

Daniel Smith is proud to release a Master Artist Set of the 10 Extra Fine Watercolors that world respected artist Alvaro Castagnet loves the most. This unique 10 color set is your opportunity to experience the colors on Alvaro’s palette! Sized to offer you a great value, Alvaro’s Set includes NEW Burnt Sienna Light, a color formulated specifically for Alvaro.
This Master Artist Set contains the Extra Fine Watercolors that world-respected artist Alvaro Castagnet loves the most. This is your opportunity to experience his favorite ten colors!

Included are one 5ml tube each of:

Hansa Yellow Deep
Mayan Orange
Ultramarine Blue
Cobalt Blue
Viridian
Yellow Ochre
Burnt Sienna Light
Neutral Tint
Deep Scarlet
Pyrrol Red

When colors speak louder even without words…Introducing STELLA CANFIELD’s MASTER ARTIST SETS I AND II which offer beginners and professionals tools to create vibrant works while offering depth.

“The DANIEL SMITH colors in each set are designed for your enjoyment, one is more foundational, and one is more playful”. Each color collection is designed for enjoyment and mixing. Stella’s positive mindset and lighthearted perfection in the color is contagious!”

The set II contains:

Pyrrol Orange
Rhodonite Genuine
Cerulean Blue Chromium
Cobalt Blue Violet
Green Gold
Moonglow

When colors speak louder even without words…Introducing STELLA CANFIELD’s MASTER ARTIST SETS I AND II which offer beginners and professionals tools to create vibrant works while offering depth.

“The DANIEL SMITH colors in each set are designed for your enjoyment, one is more foundational, and one is more playful”. Each color collection is designed for enjoyment and mixing. Stella’s positive mindset and lighthearted perfection in the color is contagious!”

The set I contains:

Hansa Yellow Light
Quinacridone Burnt Orange
Pyrrol Scarlet
Carmine
Cobalt Blue
French Ultramarine

To create this color, Ultramarine Blue pigment is baked. An excellent lightfast pigment that flows freely, leaving slight granulation in washes. Ultramarine Red is considered non-staining, unusual for a red. Mist damp passages of either pigment for a delightful mottled effect. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Float this color into a moist wash to add variety to shadows. DANIEL SMITH Prussian Blue is lightfast and transparent, with medium to high staining strength. It disperses and diffuses easily and evenly and can be considered interchangeable with the higher staining Phthalo Blue in application, although Prussian Blue is slightly greener. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Our Yellow Ochre works especially well with other transparent pigments. Try mixing transparent, medium-tinting Yellow Ochre with equally transparent, medium-tinting Viridian. Somewhat neutral, Yellow Ochre reacts beautifully with Cerulean Blue when spattered into the damp paint. While traditionally Yellow Ochres tend to be opaque or whitened in other brands, our DANIEL SMITH Yellow Ochre is transparent, a property beloved by watercolorists! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This beautiful stone has been calcinated to change the iron oxide from cool to warm in hue. The result is striking and the granulating effect enhanced. While the Tiger’s Eye Genuine is cool olive drab, Burnt Tiger’s Eye Genuine is warm reddish-brown. In landscapes, it’s an excellent, natural-looking complement to greens. It’s also great for creating rich, warm flesh tones. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Iridescent Sunstone is a soft metallic pink with a glimmering gold surface. Iridescent watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, reflect light, causing it to scatter, and their transparent quality adds a fascinating sense of depth to your work. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement, it is especially effective used that way to make clouds in the sky. Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with its’ semi-transparent to opaque, non-staining properties. Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This semi-transparent to semi-opaque yellow, leaning slightly towards green, appears opaque in mass, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark flesh tones. Use concentrated to diluted mixtures in florals and field flowers. This lemon yellow hue works well with purples and all the greens. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This opaque yellow, leaning slight towards green, appears opaque in mass tone, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark flesh tones. Use concentrated to diluted mixtures in florals and field flowers. Its lemon yellow hue works well with purples and all the greens. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cleaner, more transparent and brighter in chroma than Cadmium Yellow Light, this is a high-tinting, organic pigment. Hansa Yellow is considered the ‘perfect yellow’, offering more control when mixing. Painters admire the purity of this primary pigment and ability to adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

DANIEL SMITH Azo Yellow Watercolor almost jumps off the paper, it’s so brilliant, sunny and bright. The very essence of yellow, it’s clear, powerful, vivid, semi-transparent, smooth and staining. Use this organic pigment to add light and sparkle to your paintings. It’s also a versatile mixing color. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A clean, bright yellow. Because it’s low staining, you can paint with it full strength and pull the color back to almost paper white. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Yellow Light Hue is a clean lemon yellow, create fiery oranges by mixing with Opera Pink or remarkable granulating greens with Cobalt Teal Blue. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Yellow Medium Hue, a mid- toned, slightly red yellow is perfect to add heat, energy and a focus in any painting. Mixed wet into wet with Cerulean Blue you will have a vast array of textured greens in various tones depending on the color balance and amounts of water, from dusky shadow greens to vibrant spring greens. It disperses beautifully in water for smooth, rich washes. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

The transparent non-staining properties of this cool yellow can effectively warm darker hues without affecting their transparency. Landscape artists often rely on Aureolin to successfully glaze their watercolors or as a light wash in underpainting, to add the appreance of sunshine. This pigment quality, along with the ability to lift and to create soft edges, makes Aureolin especially useful to portrait and floral painters as well. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Yellow Deep Hue – A rich, warm yellow with a golden glow. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Hansa Yellow Medium is a high-tinting, organic pigment. Considered the ‘perfect yellow’, Hansa Yellow Medium offers more control when mixing. Painters admire the purity of this primary pigment and adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Experience a saturated yellow with a rich history, you’ll love its transparency and smooth working properties. A natural looking yellow with a very slight green-brown cast – great for foliage highlights! This stunning watercolor revives the bold color used by the ancient Mayan people to adorn their murals and sculpture. Now using an eco-friendly process, with methods derived directly from the ancient Mayans, this unique, metal-free pigment is available to you. Its versatility, durability and exquisite hue will make it a color you’ll reach for again and again. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, bright color adds life to your work at full strength and washes out to a sweet soft glow for a light and subtle statement. You’ll enjoy the smooth handling properties and the durability of this extremely lightfast paint. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Don’t let the old line: made from the urine of cows fed an exclusive diet of mango leaves deter you from adding Indian Yellow to your palette; DANIEL SMITH’s vat pigmented Indian Yellow is a new formula. This medium to high tinting yellow lends a rusty orange edge to undisturbed puddles, a curious property when painting ripe fruit and vegetation. Autumn leaves and floral close-ups make great study subjects as you explore this pure chroma, ever so slightly granular yellow. Indian Yellow wets well and flows evenly. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Naples Yellow will make you think of late Summer with it’s sunflowers, wheat fields and sunny, dry landscapes. This dusty yellow with a touch of Venetian Red is made a neutral semi-opaque with the addition of zinc oxide. More ideas for Naples Yellow would be dry yellow grasses easily brushstroked over painted fences and barns, the zinc oxide opacity aiding the Naples Yellow to show over darker colors. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Kissed with a touch of orange, this is a pure chroma color with high-tinting, organic pigments. Hansa Yellow Deep is considered the ‘perfect yellow’, a fact which offers more control when mixing. Painters can admire the purity of this primary pigment and adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Unlike other brands, DANIEL SMITH New Gamboge is an excellent lightfast formulation. It’s a transparent organic pigment from the yellow to orange zone of your color wheel. More staining than Yellow Ochre and equal in tinting ability to Raw Sienna. It’s a good substitute for those colors when transparency and non granulation is desired while avoiding thick, muddy passages. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Bold, bright and smooth, this stunning watercolor offers watercolorists a rich shade of yellow for captivating watercolors. So saturated that it is nearly orange at full strength, Isoindoline Yellow can be lightened with water for glowing, transparent washes. An even finish, and excellent light fastness, make this watercolor a pleasure to paint with. An excellent alternative to Cadmium Yellow Deep. Its warm, glowing, school bus yellow color and supremely smooth texture make it a palette essential. In light washes, it creates a soft, sunlit radiance. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Mixing beautifully with other colors, Permanent Yellow Deep yields a bright tangerine hue when used at full-strength and light washes are a soft peach. A warm and golden tone makes this yellow ideal for the fiery orange-yellows of a fall landscape. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

DANIEL SMITH Aussie Red Gold is the rich, golden color of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light to Autumn leaves, late summer flowers and landscapes. Australian Red Gold is transparent, non-granulating, low staining and performs wonderfully, you will love it on your palette! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This unforgettable semi-transparent/semi-opaque orange is a smooth, saturated and pure addition to the watercolorist’s palette. Capture the glory of a summer garden or the magic of a tropical sunset with this dynamic and versatile hue. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is lightfast, transparent and low staining. Our Permanent Orange with its’ juicy, bold orange color will add brilliancy to your florals, sunsets, sun-drenched and tropical landscapes! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Orange Hue – A deep, radiant orange that leans slightly towards red. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Perinone Orange, with its vast range from vivid intensity to pale, transparent, fleshy washes, is a clear, clean vat pigment. From carrots to soft gladiola and azalea petals, this pure chroma orange is a treat for the eye and a dream to handle. Use in place of Cadmiums when mixing and revel in its glowing transparency. Play with salt texture and lift and squeegee techniques. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Red Scarlet Hue – A festive, versatile red with an orange cast. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-opaque and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This clear, dark, red-leaning orange thins into perfectly smooth washes. The color is vivid and warm, lovely used on its own, and great in mixes. Try it with granulating greens or blues to create exquisite earth colors and shadow-grays that are both textural and warm. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This low-staining deep orange is sometimes called Scarlet Lake or Rose Carthame. Oranges can be very difficult to work with, but this one excels in handling and is a good option over Cadmium Orange. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Mayan Orange is hot and intense. Use it straight from the tube for a blazing red-orange. As you add water, the color remains strong and disperses very evenly. Rich, bold colors adorned the murals and sculpture of the Mayan people. Even when exposed to centuries of severe heat and humidity, these colors have hardly faded over a thousand years. Now, using methods derived from ancient Mayan chemistry, these unique, metal-free pigments have been recreated using an eco-friendly process. The colors are smooth, non-granulating and semi-transparent. Their versatility, durability and exquisite hues make them colors you’ll reach for again and again. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A treat for the eyes of both painter and viewer, this intense Quinacridone color is a clear red tinged with pink and orange. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Permanent, semi-transparent to semi-opaque and medium staining, this fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its Perylene cousin, it disperses more evenly and is less granular. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Perylene Red is medium staining and semi-tranparent. It creates vivid, dark washes with a clean brilliant red-orange. This sedimentary pigment offers an additional health plus, as it is made from a metal-free red. Clean modern pigments such as this will put accidental mud-making in the past. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A deep, transparent orange. In a wash, it’s a light peach tint and transparent at full strength, it moves to a deep, red-orange lipstick color with all the pigment strength, DANIEL SMITH paints are famous for. It’s absolutely beautiful! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Cadmium Red Medium Hue – A true stop sign red, an essential color for any palette. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its cousins the Perylenes, it disperses more evenly and is less granular. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Perylene Red is medium staining and semi-tranparent. It creates vivid, dark washes with a clean brilliant red-orange. This sedimentary pigment offers an additional health plus, as it is made from a metal-free red. Clean modern pigments such as this will put accidental mud-making in the past. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique produces brings field poppies to mind. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this technique produces brings field poppies to mind. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A true, pure medium-staining red. Drop Naples Yellow into Quinacridone Red and create a peach, or paint dry brushstrokes onto apples. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Warm violet-red, this slightly granular, super-staining vat pigment is one of DANIEL SMITH’s greatest creations. Anthraquinoid Red is bold and dashing. Deep and cool enough for a variation on shadow tones, this impressive red-violet has an amazing range. Mix with water to achieve a whisper of cool red perfect for rosy skies and blushing cheeks. A transparent color, Anthraquinoid Red glazes beautifully for added richness and depth. Anthraquinoid Red offers artists a vibrant, luminous pigment that retains its excellent permanency rating even in thin washes. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Mayan Red is both fascinating and distinctive. The range of color it produces is truly remarkable, from a natural strong red, to a clear intense rose, to sublime smooth pinks. Used to adorn the murals and sculptures of the Mayan people, this remarkable red has remained vibrant even when exposed to more than a thousand years of severe heat and humidity. Now using an eco-friendly process, with methods derived directly from the ancient Mayans, this unique, metal-free pigment is available to you. Its versatility, durability and exquisite hue will make it a color you’ll reach for again and again. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when applied in strength and kept from the direct sunlight will last for many decades. Alizarin is a treat to paint with, just the sheer joy of the depth and uniqueness of color is invigorating. A beautiful bluish-red pigment from the staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists. Intense and dark in value, Alizarin Crimson mixes cleanly with most pigments to create dark mixtures and warm neutrals. A combination of Aureolin (Cobalt Yellow) and French Ultramarine with Alizarin renders a surprising range of other colors resembling everything from Burnt Sienna and Umber to Payne’s Gray, while Alizarin Crimson with French Ultramarine creates an intense purple. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson character and versatility. Like classic Alizarin, it is vibrant, medium staining and very transparent, with the undeniable advantage of permanence. Try a rich and bold application or a blush of crimson color in a light wash, we know you’ll love this beautiful shade. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Darker and more staining than Alizarin Crimson, and vastly superior in permanence, Carmine is also redder. This staining pigment, rich and intense, will retain its luminosity in dark passages, but will dilute to produce subtle tones without reducing its permanence. Darkest of the reds, Carmine will help you achieve clear neutrals when mixed with its complement, Phthalo Green. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

DANIEL SMITH Rose Madder Permanent is a modern, lightfast formulation of the traditional color giving artists a rose watercolor with similar properties. This warm, rose pink has an ever-so-slight hint of brown making it slightly less vivid than the pink Quinacridones, and a more natural blush, perfect for portraits. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation producing some of the most brilliant glowing mixes you have ever seen. Try mixing Opera Pink with our New Gamboge for fiery oranges or with an Indanthrone Blue for stunning violets and glowing purples. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Potter’s Pink is the lightfast pink that was used in English watercolor painting of the 18th and 19th centuries. Also used in ceramic glazes, it is romantic rose pink, delicate and neutral – a beautiful counterpoint for brighter, more saturated colors. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Quinacridone Pink is a precise, perfect low-staining pink. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Quinacridone Pink can be mixed with Quinacridone Sienna or Burnt Orange in dilute wash states to create flesh tones or convincing sunsets. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Quinacridone Rose, with its red-violet color, lends itself to fabulous purples. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Quinacridone Rose can be mixed with Quinacridone Sienna or Burnt Orange in dilute wash states to create fleshtones or convincing sunsets. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.