DANIEL SMITH

Opaque and cool. This is the most intense black available. It is a sooty by-product of burned mineral oil and tar. Lamp Black mixed with Burnt Sienna can add a trace of warmth to a passage. Think classic black velvet. Use to darken transparent pigments. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A warm, semi-transparent, leaning to an opaque pigment. Historically, this black was derived from burnt ivory from now-endangered species, thankfully, this is no longer the practice. An Ivory Black touched with yellow creates a blackened green excellent for backlit foliage. Think sumi and hand-painted stone lithographs. Can be used to darken transparent pigment. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Imagine a transparent black with an expansive value range and pigment particles that react like magnetic shavings attracting and repelling each other. Unique pigment properties make Lunar Black a radically reticulating color. When dry, a Lunar Black wash resembles a marbled moonscape. This mottled stony texture can be successfully glazed. You can even gently paint into a wet-to-damp Lunar Black, dropping into the watery pigment, virtually any combination of favorites. Lunar Black is a wonderful mixer adding exciting black granulation to the mix! Lunar Black is an inorganic neutral black watercolor pigment and a DANIEL SMITH exclusive. Think Black Magic-and re-think black. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Forbidden by purists, Chinese White is much more than a repair patch. This semi-transparent, pure white offers excellent permanency and a medium-high tinting strength. It’s great for lightening other colors. Drop and spatter Chinese White into a damp gray wash to describe the moist, mushy snowfalls of the Pacific Northwest’s coastal lowlands. Try a brushload of Chinese White where water’s edge meets snowbanks to indicate melting. For field flowers in spring meadows, a touch of Chinese White into Carbazole Violet helps create clover and other wildflowers. And, of course, you can always use it to paint details and highlights! If the paint works, use it. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Create pastel shades with a creamy, semi-opaque/semi-transparent finish by mixing Titanium White with your favorite watercolor pigments. Although not opaque enough for full coverage, this watercolor can be used straight from the tube to add highlights or as a light wash over other colors for a soft veil of light tone. Excellent lightfastness and a smooth finish are hallmarks of this useful pigment. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and landscapes. Used wet into wet, it creates a soft, transparent glow, without granulation. At full value, it is more intense but still transparent, low-staining and non-granulating. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Officially discovered in 1905 and named for the Latin word purpura, meaning purple, Purpurite Genuine is an intensely lavender violet that paints smoothly and easily, and has beautiful granulation. It is semi-transparent with low staining levels, so it offers great versatile in use and technique. Purpurite Genuine is a mineral with a naturally occurring, low luster, silky sub-metallic sheen. This unique characteristic allows your painting to take on additional dimension as the light interacts with your washes and glazes. Enjoy adding this natural mineral pigment to your palette. You’ll love the richness of this unique and rare purple color! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Oh my goodness – it’s beautiful! exclaimed one of our testers, and it is. Amethyst Genuine is a rich, true purple – it’s almost black in masstone and capable of infinite gradation. Although it is a granulating color, it can also make lovely clear washes with just the barest hint of sparkle from the crushed gemstone. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A beautiful granulating pigment from South Africa, Sugilite is another standout in our line of PrimaTek colors. First found in 1944 and named for its Japanese discoverer, the rare opaque mineral ranges from grayish lavendar to pink to deep purple. Transparent as a watercolor pigment, it combines subtle fuchsia pink and warm gray in a single strongly textural color. In a wash, the gray settles with a slight graphite-like sheen, while the pink rises to resemble the color in an overcast dawn sky. It’s a great complement to golds, oranges and greens, including Quinacridone Gold and Sap Green. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This exclusive DANIEL SMITH color is a stunner – a rich blue-gray with impressive granulation and dazzling, glittery sparkle. Its name comes from the Greek word kyanos meaning dark blue enamel. Thought to promote serenity, concentration and mental clarity, this shiny, translucent gemstone is used for jewelry and heat-resistant ceramics, and now for a watercolor that will add amazing texture and visual excitement to your work. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Sodalite, with a distinctive deep blue color is one of the components of Lapis Lazuli and very rare. DANIEL SMITH Sodalite is the finest quality and deepest blue that comes from Greenland and the flanks of Italy’s Mt. Vesuvius. In watercolor, the inky color of this semi precious stone granulates as it dries, layering a blue-black textural surface on a smooth blue-gray undertone. Low staining, lightfast and semi-tranparent, Sodalite creates a three-dimensional quality as it dries. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Lapis Lazuli has been prized for its beauty, its mystical properties, and its perfection as a pigment. Ancient civilizations believed that the veins of glittering pyrite found in the lapis were actual gold, driving up its value. The stone’s expense today, as in the ancient world, results from its hardness, which makes extraction difficult. Mined in the mountains of South America, this gem-quality pigment is a subtle blue-grey, with a classic color that is light reflective (due to the irregular and angular shape of the pigment particles). Our Genuine Lapis Lazuli is at least 80% pure gem pigment suspended in a natural binder. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Mayan Blue Genuine is one of our PrimaTek colors, this gorgeous green-tinged indigo nearly defies description. Long ago, it adorned the murals and sculpture of the Mayan people and was featured in their rites and rituals. Despite exposure to severe heat and humidity, the color has hardly faded over a thousand years. Now, using methods derived from ancient Mayan chemistry, this unique, metal-free pigment has been recreated using an eco-friendly process. Its versatility, durability and exquisite hue will make it an instant favorite. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A unique and vibrant blue, the gemstone comes from Sleeping Beauty Mountain in Arizona where we found a deposit that lives up to our high expectations. It is lightfast and permanent, with none of the transient color fade that plagues most turquiose. Turquoise has a unique porous nature that produces granular washes. Juicy washes flow from the brush and drybrush work has the intense texture found only in a mineral pigment. Traditional mineral pigments often have a muted feel and our unique Turquoise Genuine has a true brilliance. We use the highest grade mineral that is found closest to the earth’s surface, where environmental factors have enhanced the structure to gemstone quality and deepened the tonal richness to a remarkable blue. Historic references of Turquoise date back as far as Egypt’s first dynasty. Turquoise from the American Southwest has been unearthed in Aztec ruins and Persian turquoise was used as trading currency. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

DANIEL SMITH has acquired a unique supply of the precious mineral Amazonite from Brazil. It’s a strong pure color that is completely transparent, non-staining and lifts easily for maximum versatility. Gorgeous by itself, Amazonite Genuine is an especially beautiful mixer with reds making gorgeous violets! Natural Amazonite Genuine provides all the magic of the hills and forests of Brazil. This lovely teal shade of feldspar microcline, a precious mineral, was named for the Amazon River and was used in ancient times as war paint by fierce female warriors. In addition, legends state that when you wear a piece of Amazonite you will harmonize your soul and be attuned to the spiritual dimension. Small carvings of Amazonite were tucked into a baby’s bunting to sooth and pacify. A shared piece of this lovely teal mineral was believed to enhance and further unite the union of soul mates. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Gorgeous in color, Blue Apatite is a striking mineral that is rarely used in jewelry due to its relative softness. As an artist’s pigment, though, it’s fantastic – a dense, rich midnight blue that granulates magnificently on cold- or hot-press papers. Within a wash, nuances of color are revealed, from inky near-black to rich Prussian-like blue. Create a stormy sky in one juicy stroke! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Made from pure Fuchsite, a mineral with mica-like characteristics, this color creates a luminous pearly green shimmer. Soft, subtle with a pearly green shimmer, Fuchsite PrimaTek watercolor is luminous and elegant. Made from pure Fuchsite, a Russian mineral, this transparent mineral color is great for layering delicate green to add luster and dimension to your paintings. Try glazing this over a stronger green to soften and enhance foliage or add it one subtle layer at a time to cool your study with a unique glow and non-traditional hue. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient Southwest in a subtle greenish turquoise. It is mined near Kingman, Arizona, which lies along a Native American trade route. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Diopside Genuine is a rich gemstone green you’ll reach for time and again. Also known as the Russian Emerald, the mineral is usually seen in fine jewelery. We are proud to be the first to offer it as a watercolor. Exquisite in hue, it brushes out evenly from deep bottle green through clear Kelly green to palest mint. The chromium rich stone from which it’s ground is green with brownish inclusions. In washes hints of the brown mineral settle out, adding an earthy nuance perfect for landscape work. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This exceptionally beautiful PrimaTek color is made from the more strongly colored of the two minerals known as jade – the other is Nephrite. Used for eons in China and Central America, this gemstone now becomes a spectacular artist’s color. From deep, dark-green mass tone to the palest wash, it creates all the exquisite shades we think of when we think of jade. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

We bring you an unusually beautiful Serpentine pigment from the land down under. This Australian green-color serpentine is of a variety called Stichtite. A soft stone used cross-culturally for carving amulets used to ward off harm, our newest PrimaTek has no comparison in any known paint palette. This surprising, semi-transparent paint is a good green that develops granulation with specks of burnt scarlet – a great addition to your landscape and floral palette. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

PrimaTek Green Apatite Genuine Watercolor lets you create a beautiful range of greens – fresh yellow-green to deep olive – with a single tube. This sedimentary color is a dark, almost brown, olive green in mass tone. In washes, the brown settles out of a vivid natural green, creating memorable texture and contrast. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

You must try Zoisite to appreciate its unique color and characteristics. Zoisite, a mineral from Austria discovered in 1804, is a lush primal green with a dark – almost black – bottle green, granulating surface. With minimal paint to water, the effect is a gray-green with a micro-dotted surface. With maximum paint to water, the surface fractures to a faux leather look with a distinct three-dimensional effect. Play with the ratios and be fascinated by the amount of interest Zoisite can add to your painting. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A warm honey-bronze color with lustrous sparkle provided by very fine films of iron oxide. The fibrous, fairly fragile Bronzite stone from Brazil is occasionally used in jewelry but excels as a watercolor pigment. It’s a warm golden-brown in masstone – somewhere between ochre and sienna, but distinctly different – that lets down into pale washes of soft, always warm, sandy beige. In a wash on cold press or rough paper, the brown settles out of this intriguing special-effect color. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Gorgeous Burnt Bronzite Genuine pushes the honey tone of Bronzite Genuine to a more coppery hue. Both deeper brown and more orange, it’s ideal for portrait work as it easily produces a wide range of flesh tones. Like Bronzite Genuine, it gets a subtle lustrous sparkle from iron oxide. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Apache legend speaks of a single dove that left the edge of the original well and saw the world. When the great floods came, this dove led the first woman to the safety of the Yavapai. Today, the enfolding security of the Yavapai stone provides a sentimental glimpse through time. The endurance of the stone symbolizes the endurance of the human spirit. The warm, reddish, yellow-brown color, similar to a seinna, remains unchanged. Made from Arizona rock, Yavapai Genuine is transparent with a surprisingly smooth texture in washes. This legendary pigment can link your palette to the indomitable past and the bright possibilities of the future. We’ve captured the strength of the Yavapai in an historic mineral pigment that exemplifies the perpetual energy of art. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Hematite stones are crushed and milled to a fine pigment to create a dramatic reddish brown watercolor with maximum granulation. Add texture to your work with this genuine PrimaTek pigment. Perfect for rugged landscapes and the natural texture of wood, stones and brick. Hematite is ground from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier particles settle, creating bold granulation. In a thin wash, it is a rich sienna. Hematite Burnt Scarlet mixes wonderfully with other colors both neutralizing the color and adding beautful granulation. Hematite or the traditional Greek name, Bloodstone – when you paint, you can almost feel the pounding of the battle drums as ancient warriors covered their bodies with Hematite in the belief that they would be protected from mortal wounds. According to lore and superstition, large surface deposits of Hematite mark the site of hard fought battles, where the blood of fallen soldiers flowed into the ground. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Garnet Genuine Watercolor has all the warmth and allure of the January birthstone. This PrimaTek color is a gorgeous, warm, reddish-brown, similar in hue to Quinacridone Burnt Scarlet, but with more granular texture. Try mixing it with Cerulean Blue for beautiful mauves and grays. It reticulates wonderfully and creates unexpected surprises in washes. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

The mountains of Brazil yield a beloved and treasured gemstone. Paint this soft, reddish dusky rose and watch as the mineral iridescent sheen rises to the surface of your brushstroke. This color, from our PrimaTek line of authentic mineral pigments, gives new definition to skies, botanicals and reflections. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Red Jasper Genuine is a lovely pinkish, cool brown in light washes and a medium reddish maroon in mass tone, think red cedar bark. Red Jasper Genuine is a wonderful color for landscapes, birds like the male common chaffinch and reddish egret, as well as animals who have a medium to light reddish coat like the red panda. This cool toned, earthy red made from the mineral red jasper, is now part of the PrimaTek collection of DANIEL SMITH watercolors which are made from minerals. The mineral for our Red Jasper Genuine comes from India’s Gwalior region and is colored a rich red from iron. Historically it was often carved as amulets, vases and other decorative items. India’s red jasper was one of stones used to beautifully embellish the Taj Mahal with other semi-precious stones that were carved and inlaid into the white marble in curvilinear flower forms. The flowers formed from red jasper are a vivid red and contrast beautifully with the green jade stems and leaves against the white marble. Spiritually, red jasper is associated with the base or root chakra and helps to ground and energize/heal the body and provide balance and protection. As a watercolor, Red Jasper Genuine is a lovely pinkish, cool brown in light washes and a medium reddish maroon in mass tone, think red cedar bark. Red Jasper Genuine is a wonderful color for landscapes, birds like the male common chaffinch and reddish egret, as well as animals who have a medium to light reddish coat like the red panda. Red Jasper Genuine Watercolor is granulating, semi-transparent, non-staining and has excellent lightfastness. Beautiful on it’s own, you can see the lovely colors that Red Jasper Genuine makes as a mixer in this mixing grid painted with the watercolors from the DANIEL SMITH Essentials Watercolor Set. The Essentials Set is a split primary with two sets of primary colors, a cool triad (Hansa Yellow Light, Quinacridone Rose and French Ultramarine) and a warm triad (New Gamboge, Pyrrol Scarlet and Phthalo Blue (Green Shade). The first line of colors (above mixing grid) across are each of the watercolors, umixed, with some water added, so that you see the vivid strength of the hues. The first line of colors, unmixed, descending on the left have had more water added to each color and the diagonal line of paler colors, unmixed, are each color as a wash. This mixing grid (above) image shows only the color mixes made with Red Jasper Genuine and each of the colors from the Essentials Set. The mixed colors going across are darker mixes with less water, and the mixed colors descending are more mid toned with more water added to the mixes. This mixing grid (above) shows all the colors mixed with one another plus Red Jasper Genuine for a 3 color mix. You can see how the color mixes are toned down when Red Jasper Genuine is added to the mixes giving a wonderful earthy color. Here is the diagram (above) of the color mixing plan so you can see what colors are mixed together for each rectangle. The ratio of color to color (and water added) were not done by measurement, rather by achieving an appealing color mix. There is a limitless range of potential color when color mixing due to changing the ratio of color to color, and the amount of water. Many different colors can also be created by glazing a color over another rather than by mixing alone. We know you will enjoy painting with our Newest PrimaTek Watercolor, Red Jasper Genuine!

A warm, soft, earthy pink, Minnesota Pipestone is semi-transparent to semi-opaque, and granulates beautifully in washes. It is as permanent as the rock from which it is made. Our Minnesota Pipestone is created from pipestone in exactly the same shade as the stone that the Plains Indians revered and reserved for the making of their pipes. Milled in small batches, it honors history and lives up to contemporary expectations. The combination of our historic pipestone with modern synthetics is spellbinding. American Pipestone is the stone that unified our people in a time of transition. This sacred mineral was the stone of choice for the legendary Sioux peace pipes. Traveling through Pipestone County, Minnesota, one can almost hear the murmurs of the past. The warm, muted tones of the pipestone foster an introspective creative flow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

For millennia, Sedona has ignited the imagination of every creative spirit fortunate enough to feel its dazzle. Tufts of sagebrush punctuate the ancient sea of sand in quiet counterpoint to the soaring red rock sentinels. With color purity cast from a desert crucible, red spires burst on a field of pure cerulean sky, humbling the observer in absolute wonder. This ethereal red connects us to the people who were first mesmerized by the region 11,000 years ago. After our latest trip to the Southwest, we knew we had to create paint from Sedona’s rocks. Made with authentic rock from the Arizona desert, this timeless color-lightfast, richly pigmented and absolutely permanent-ties your work to the work of countless generations of southwestern artisans in a way that demands to be experienced. We went straight to the source for our newest, yet oldest, mineral pigment. We can now share the enchantment of the stone with you. Capture the awe, the intensity and the magic of Sedona. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Ground from a scarlet-streaked mineral from the hills of Italy, Piemontite Genuine is a rich, versatile PrimaTek watercolor. A deep ruddy violet is the darkest value of this watercolor; adding water produces lovely violet-brown granulation with a carmine tone. Perfect for adding interest to shadows or painting the mottled surfaces of autumn leaves. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

This beautiful stone has been calcinated to change the iron oxide from cool to warm in hue. The result is striking and the granulating effect enhanced. While the Tiger’s Eye Genuine is cool olive drab, Burnt Tiger’s Eye Genuine is warm reddish-brown. In landscapes, it’s an excellent, natural-looking complement to greens. It’s also great for creating rich, warm flesh tones. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Hematite is ground from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier iron particles settle, creating bold granulation, in a thin wash, it is a soft dove gray. Hematite mixes beautifully with other colors adding its granulation and slightly neutralizing the mixed in color. One way to use Hematite Genuine is, with single brushstrokes, sketching in branches from thick to thin, the beautiful granulation automatically providing the texture of bark. Hematite or the traditional Greek name, Bloodstone – when you paint, you can almost feel the pounding of the battle drums as ancient warriors covered their bodies with Hematite in the belief that they would be protected from mortal wounds. According to lore ad superstition, large surface deposits of Hematite mark the site of hard fought battles, where the blood of fallen soldiers flowed into the ground. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Hematite stones are milled to a fine pigment to create this stunning watercolor. Rich and shadowy violet washes are studded with a pattern of deep granulation. Bring excitement to neutral tones with this PrimaTek pigment – driftwood, tree bark, and rocky cliffs come alive with texture and drama. Be inspired by this rugged violet that stays true with excellent light fastness. Hematite is ground from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier particles settle, creating bold granulation. In a thin wash, it is a beautiful reddish, violet gray, thick or thin, Hematite Violet mixes wonderfully with other colors. Hematite or the traditional Greek name, Bloodstone – when you paint, you can almost feel the pounding of the battle drums as ancient warriors covered their bodies with Hematite in the belief that they would be protected from mortal wounds. According to lore and superstition, large surface deposits of Hematite mark the site of hard fought battles, where the blood of fallen soldiers flowed into the ground. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A warm cinnamon color that granulates to resemble rusted iron, DANIEL SMITH Mummy Bauxite combines powerful color with visual texture. Mummy was a very popular organic pigment in the 18th and 19th centuries, rumored to have been made from ground Egyptian mummies. The mineral’s name comes from Les Beaux in southern France, where it was first identified in the 19th century. Our sources bring us Mummy Bauxite from Chitinskaya Province. Unlike the old world color, DANIEL SMITH’S Mummy Bauxite is extremely lightfast, and low-staining. You get the tonal warmth and depth of traditional Mummy with the modern assurance that the color is strong, stable and consistent. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

A wonderful neutral, cocoa brown. Named for the mineral collectors who discovered it in San Diego County in 1912, Sicklerite Genuine displays beautiful granulation and lets down from a dark chocolate brown to a soft cafe au lait. A true neutral, it tones down bright colors, creating color harmony with seductive texture. Try mixing it with French Ultramarine for an atmospheric blue-gray or Sleeping Beauty Turquoise Genuine for a soft ocean green. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasper represent the blood of Christ. Our Bloodstone Genuine is part of our line of superb PrimaTek naturally pigmented watercolors. Its’ intense and velvety aubergine mass tone develops into a warm gray wash that lifts beautifully and provides immediate gratification when it comes to granulation, be it on hot- or cold-pressed paper. Bloodstone mixes very well with each of our more than 240 watercolors and is especially wonderful with transparent RhodoniteGenuine and Quinacridone Burnt Orange. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Can be as dark as night or as pale as a wispy fog. This intriguing PrimaTek color is made from a semi-precious stone thought to bring luck, dispel negativity and promote clarity of purpose. In washes, especially on rough paper, it displays exciting granulation with delicate settling and a tracery of spidery runs. Intensely black in mass tone, it lets down to a beautiful, warm pearl gray. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Green Pearl shifts between shimmering sea green and reflective metallic silver. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Oceanic shifts between a subtle green gold and a brilliant metallic gold sparkle. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Blue Pearl shifts between a shimmering sky blue and a reflective cool silver. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Turquoise shifts between a vibrant Caribbean blue and a sparkling sea green. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Cabo Blue adds a third reflective color shifting from blue to metallic gold, then finishing with a shimmering metallic blue. Duochrome Watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, alternate between two distinct colors depending on the reflective light. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue. Duochrome Watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, alternate between two distinct colors depending on the reflective light. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Our Duochrome Emerald is the slightly reflective green of tender new shoots or buds in the Spring. Many living things have a slightly luminous quality to them that cannot quite be painted in regular watercolors. DANIEL SMITH Luminescent watercolors, unlike anything ever seen in watercolor, simulate the luster of a bird’s feather, the iridescence a butterfly or insect, the luminous quality of flowers and leaves. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome Emerald shifts between two different shades of green—a lovely emerald and a very slightly reflective green-gold. All the DANIEL SMITH Luminous watercolors mix well with other colors and lend their luminosity in proportion to the mix. Mixing our Luminous watercolors with other colors is an ideal way to use them! Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Desert Bronze shifts between an earthy terra cotta and a brilliant metallic jade. Duochrome Watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, alternate between two distinct colors depending on the reflective light. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Saguaro Green shifts between rich copper and brilliant metallic green-gold. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Adobe shifts between saturated copper and a brilliant red metallic. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Autumn Mystery is an earthy russet that shifts to a vibrant copper metallic. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Cactus Flower shifts between an earthy sienna and a sparkling metallic violet. Duochrome Watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, alternate between two distinct colors depending on the reflective light. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Hibiscus shifts between red violet and a shimmering iridescent blue violet. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. “ Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Violet Pearl shifts between shimmering soft lavender and reflective cool silver. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Mauve shifts between pale pinkish-purple and brilliant sparkling sapphire. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Tropic Sunrise shows its colors best over black paper or darker watercolor; it shifts from reflective green to red. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Lapis Sunlight shows its colors best over black paper or darker watercolor; it shifts from reflective green to blue. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

“Duochrome Violet Fantasy shows its colors best over black paper or darker watercolor; it shifts from reflective violet to green. Why Luminescent Watercolors? Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow.” Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Duochrome Arctic Fire shows its colors best over black paper or darker watercolor; it shifts from reflective green to violet. Duochrome Watercolors, part of the DANIEL SMITH Luminescent Watercolors collection, alternate between two distinct colors depending on the reflective light. Why choose Luminescent Watercolors? Because Nature has optical surprises in the colors that you see in birds’ feathers, insects, fish, and seashells, many flowers also have a pearly, dewy sheen to them. Consider the iridescence of a snail’s trail or a silvery spider’s web. Other things that also have a sparkle, or glow depending on the light, a silvery or golden moon, clouds aglow at sunset, rainbows, the sparkle of snow and ice, and glint of water reflections. Don’t forget the sheen of metals like pewter, copper, silver, and gold. There are also mythic subjects that are often thought of as having a special iridescence to them such as fairies, dragons, mermaids and other fantasy figures. DANIEL SMITH Luminescent Watercolors add that touch of special color found in nature that regular colors cannot match. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescent Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding a bit of their luminescent glow. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.

Interference Blue, part of the Luminescent Watercolors collection, is a transparent blue that refracts light (causes light to scatter). When glazed over dark colors or painted directly onto black paper, it’s cool and glimmering. When painted on white paper, it displays a subtle sheen. Luminescent Watercolors are perfect for painting nature’s optical surprises – like the sparkling colors you see in bird feathers, insect bodies, fish scales and seashells. Many types of flowers have a pearly, dewy sheen. Consider the iridescence of a snail’s trail, a silvery spider’s web, a golden moon, clouds at sunset, icy snow and water reflections. Fantasy subjects like fairies, dragons and mermaids also have beautiful shimmering features. Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.